Year in Review: 2018

January 3, 2019

Movies watched: 

The Room (2003)

Tangerine (2015)

The Post (2018)

To Die For (1995)

Frances Ha (2013)

The Shape of Water (2017)

The Hustler (1961)

A Stupid and Futile Gesture (2018)

Mulan (1998)

Rebecca (1940)

Phantom Thread (2017)

My Fair Lady (1964)

Mother! (2017)

Mary Poppins (1964)

Mistress America (2015)

Midnight Cowboy (1969)

Ladybird (2017)

Butch Cassidy and the Sundance Kid (1969)

Driving Miss Daisy (1989)

Field of Dreams (1989)

Black Panther (2018)

The Foreigner (2017)

Good Time (2017)

It (2017)

Brigsby Bear (2017)

The Lost Boys (1987)

Ready Player One (2018)

Diabolique (1955)

Tron (1982)

Detroit (2017)

Avengers: Infinity War (2018)

Deadpool 2 (2018)

Infernal Affairs (2002)

Close-Up (1990)

The Fountainhead (1949)

Solo: A Star Wars Story (2018)

Legends of the Fall (1994)

Thoroughbreds (2018)

Coco (2017)

The Week Of (2018)

Taxi Driver (1976)

Goldfinger (1965)

Hairspray (1988)

Swing Time (1936)

First Reformed (2018)

Grease (1978)

Go West (1940)

The Big Store (1941)

Bonnie and Clyde (1967)

The Incredibles 2 (2018)

Grey Gardens (1975)

Tommy (1975)

Annihilation (2018)

Unsane (2018)

Spielberg (2017)

Ingrid Goes West (2017)

Jumanji: Welcome to the Jungle (2017)

Ant-Man and the Wasp (2018)

Brawl in Cell block 99 (2017)

Isle of Dogs (2018)

You Were Never Really Here (2017)

Mission Impossible: Fallout (2018)

The Death of Stalin (2018)

All About Eve (1950)

Singin’ in the Rain (1952)

The Rider (2018)

The Florida Project (2017)

The Death of Superman (2018)

BlacKkKlansman (2018)

Tully (2018)

A Star is Born (2018)

Venom (2018)

Don’t Worry, He Won’t Get Far on Foot (2018)

Ocean’s Eight (2018)

Sorry to Bother You (2018)

The African Queen (1951)

Won’t You Be My Neighbor? (2018)

A Quiet Place (2018)

The Ballad of Buster Scruggs (2018)

Sophie’s Choice (1982)

Shirkers (2018)

Rocky (1976)

Thief (1981)

Ralph Breaks the Internet (2018)

In the Heat of the Night (1967)

Spider-Man: Into the Spider-Verse (2018)

Roma (2018)

 

Books read:

Frederick Buechner, “Lion Country”

Warren Zanes, “Petty: the Biography”

Unknown, “The Way of a Pilgrim”

Frederick Buechner, “The Clown in the Belfry: Writings on Faith and Fiction”

G.K. Chesterton, “The Man Who Was Thursday”

Greg Kot, “I’ll Take You There: Mavis Staples, the Staple Singers and the March Up Freedom’s Highway”

Jack Miles, “God: A Biography”

N.T. Wright, “Paul for Everyone: 1 Corinthians”

Frederick Buechner “The Eyes of the Heart: A Memoir of the Lost and Found”

Bishop Kallistos Ware, “The Orthodox Way”

Hazel Dickens & Bill C. Malone, “Working Girl Blues: The Life and Music of Hazel Dickens”

Saint Thérèse of Lisieux “Poems of Saint Thérèse of Lisieux”, translated by Alan Bancroft

Don DeLillo, “White Noise”

Henry Glassie, Clifford R. Murphy, & Douglas Dowling Peach “Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line”

Harpo Marx with Rowland Barber, “Harpo Speaks!”

Mary Strong, “Letters of the Scattered Brotherhood”

Jeff Tweedy, “Let’s Go (So We Can Get Back)”

N.T. Wright, “Paul for Everyone: 2 Corinthians”

 

Favorite albums:

Anna & Elizabeth, “The Invisible Comes to Us”

Son Lux, “Brighter Wounds”

Damien Jurado, “The Horizon Just Laughed

David Benjamin Blower, “Hymns for Nomads”

The Innocence Mission, “The Sun on the Square”

John Prine, “The Tree of Forgiveness”

Nathan Salsburg, “Third”

Laura Gibson, “Goners”

Martha Scanlan, “The River and the Light”

Loretta Lynn, “Wouldn’t It Be Great”

Jeff Tweedy, “Warm”

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horizon

A week or two ago, I attended a pre-release listening party for one of my favorite artists. Under the dim lights of Canton’s Deli Ohio restaurant, after hours, I scribbled a few thoughts down as Damien Jurado’s new record spun.  I added a few more later, the sound still lingering…

 

Gray skies over Canton. A whirling April snow. Red lights turn to green.

A voice is carried along on the reverb; a winding stream. It sinks into the wood grain.

Thomas Wolfe. Bruce Springsteen.

Otis Redding. Percy Faith.

Lost in America; stuck in the 70s.

Bob Dylan. Bill Fay.

The red of the exit sign. The hum of the cooler.

Leonard Cohen tells a crude joke.

Lazarus and resurrection. Jonah bouncing around Nineveh.

Old Testament fire. New Testament glory.

A life detached.  A glass darkly.

Charlie Brown on the streets of Laredo.

 

The horizon just laughed.

 

“The Horizon Just Laughed” will be released on May 4th.

End of the Year Review

December 31, 2017

I haven’t posted in awhile, so I thought I’d share a few of my 2017 music favorites.  I’ve also listed every movie I remember seeing for the first time in 2017.  Here goes…

Favorite Music:

David Benjamin Blower, “The Book of Jonah”

Joan Shelley, “Joan Shelley”

The National, “Sleep Well Beast”

Tift Merritt, “Stitch of the World”

Jason Isbell & the 400 Unit, “The Nashville Sound”

Sam Amidon, “The Following Mountain”

Blitzen Trapper, “Wild and Reckless”

Coby and the Prisoners, “Candy Queen”

The Welcome Wagon, “Light Up the Stairs”

Fleet Foxes, “Crack-Up”

Sufjan Stevens, “The Greatest Gift”

 

Movies watched in 2017:

Manchester by the Sea (2016)

Margaret (2012)

Paterson (2016)

IP Man (2008)

I Am Not a Serial Killer (2016)

Hidden Figures (2017)

The Founder (2017)

Kubo and the Two Strings (2016)

The Red Turtle (2017)

Moana (2017)

John Wick: Chapter 2 (2017)

The Lego Batman Movie (2017)

David Brent: Life on the Road (2016)

Logan (2017)

A Ghost Story (2017)

Ain’t Them Body Saints (2013)

St. Nick (2009)

Eraserhead (1978)

The Lost City of Z (2017)

Fatal Attraction (1987)

Black Orpheus (1959)

The BFG (2006)

Get Out (2017)

Guardians of the Galaxy: Volume 2 (2017)

Super (2011)

The Driver (1978)

Baby Driver (2017)

Z (1969)

Marie Antoinette (2006)

Footlight Parade (1933)

9 to 5 (1980)

Carnival of Souls (1962)

Colossal (2017)

The Stepford Wives (1975)

Okja (2017)

Babe (1995)

Seconds (1966)

The Thing (1982)

War for the Planet of the Apes (2017)

Planet of the Apes (1968)

Strange Days (1995)

Zero Dark Thirty (2013)

Lost in America (1985)

Battle of Algiers (1967)

The Tingler (1959)

Life (2017)

The War Room (1993)

Weiner (2016)

Stop Making Sense (1984)

Justin Timberlake + the Tennessee Kids (2006)

Paths of Glory (1957)

Blade Runner: Final Cut (1982/1997)

The Big Sick (2017)

Wonder Woman (2017)

King Kong (1933)

Alien (1979)

Spiderman: Homecoming (2017)

Dunkirk (2017)

Burden of Dreams (1982)

Kong: Skull Island (2017)

Free Fire (2017)

Logan Lucky (2017)

Blade Runner 2049 (2017)

Stand By Me (1986)

The Myerowitz Stories (New and Selected) (2017)

While We’re Young (2015)

Abbot and Costello Meet Frankenstein (1948)

Thor: Ragnarok (2017)

Silence (2017)

Justice League (2017)

The Beguiled (2017)

His Girl Friday (1940)

State and Main (2001)

Fast, Cheap & Out of Control (1997)

Star Wars Episode VIII: The Last Jedi (2007)

Carnal Knowledge (1971)

Brooklyn (2015)

AlbumCover

forestry

Two new records by two very different artists offer unique perspectives into the highs and lows of a life of faith.

Camille Nelson’s album, Lead Me Home, is a collection of mostly instrumental hymns—some classics, some written by the artist herself—played with angelic precision. The record is a fine glimpse into the joy and ecstasy of religious communion.

Austin Davidson’s The Forestry on the other hand, captures the grittiness of belief. It’s an album of grief and prayer, told through pop melodies, folk storytelling and even some 80s cool.  It’s full of joy and pain, bouncing from genre to genre, style to style.

These records, both so diverse, reflect the many ways that we love and grieve and ultimately worship.

Lead My Home was recently released on Stone Angel Music and can be purchased here. The Forestry can be purchased here.

como

They are Angelia Taylor, Della Daniels and Ester Mae Smith, two sisters and a childhood friend from Como, Mississippi.  It was in that small Southern town that these Como Mamas learned the old songs, their voices harmonizing and shouting through the warm air drifting through Mount Moriah Baptist Church. From Como to Brooklyn, they were discovered by Daptone Records, and after a powerful a cappella debut, they’re now backed by Daptone’s Glorifiers band for their second full length, Move Upstairs.  “Oh yeah!”, their voices call and respond. They are voices heavy like the blues, but triumphant and holy.  “Get ready! Get ready!” The Mamas are counting their blessings, one rocking, grooving gospel song at a time. They’re singing along to a bluesy organ, a righteous drum beat, a fiery electric guitar.  They’re shouting. They’re celebrating. They’re giving it their all. 99 and a half just won’t do.

Move Upstairs will be released on May 19 by Daptone Records. You can purchase the record here.