bright

This is an older review of the Wonderful Mountain’s “Bright Week”, originally posted on this site in July of 2013.

At the beginning of his new album, Bright Week, Chad Marine (a.k.a. the Wonderful Mountain) sings of Saint Antony, the patron of lost things and people. Over a rushed guitar strum, the artist sings,

I fell into the flood

In body and in blood

And I came up bright.

Though the words are profound and spoken with outright seriousness, the song borders on joviality (a far stretch from Marine’s previous work), but I suspect it’s with good reason.  He says that the album coincided with his Baptism through the Eastern Orthodox Church.  The songs seem to reflect that Baptism, and the pilgrimage that led to it.  They are populated by holy Saints of the tradition, by moments of spiritual clarity, and by a renewed sense of joy.  He says that there was nothing specific tying the songs together, but listening to them, I can hear themes of rebirth and restoration (and the joy that follows) written all over it.

He translates the tale of martyred Saint Catherine and the paranormal destruction of a torture wheel into a rousing folk number that sounds like a lost Carter Family song.  He draws inspiration from the old story of the righteous pelican that wounded herself to feed her young.  The stories are ancient, passed down for generations, but they’re full of spiritual vigor and brimming with holy relevance.

There has always been a heavy sense of impending righteousness in Marine’s songs, and though it’s still here, his focus has turned to something that’s, well, brighter.   Near the end of the album, perhaps guided home by Saint Antony himself, the artist casts off the pessimism of the world and sheds that unholy darkness that so easily binds us.  He gently beckons,

Let’s sing no more songs of hopelessness…

Amazing what a little divine perspective can do.

Bright Week can be found at https://thewonderfulmountain.bandcamp.com/album/bright-week

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