hallowell

When the first Bifrost Arts record came out (Come O’ Spirit), one of its contributors, Joseph Pensak, released a B-side to the record called “Come Unto Me You Weary”.  As with the other Bifrost tunes, the simple hymn stood in vivid contrast to much of the “worship” music of its day.  It had a quiet melody, an unpredictable arrangement, and vocal performances that ache.

Some 10 years later, Pensak has enlisted a number of Vermont (and beyond) musicians, to help him expand on those initial Bifrost outpourings on his new record, Hallowell.  He draws inspiration both far and wide, from Mr. Roger’s Neighborhood, to ancient hymns, to REM and the Breeders.  These eccentricities fit well with the output of Great Comfort Records, founded by Lenny Smith and family (Danielson).  The Smiths have been recording and releasing gospel music that doesn’t fit the rigid framework of conventional worship music, looking instead to songs that emphasize melody and poetry over structure.  Hallowell fits nicely in this unique catalogue, as Pensak and his friends grapple with faith, with the unknown, with the weight of glory across 10 beautiful tunes.

Hallowell will be released on March 22.  You can purchase the album here and here.

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They are Angelia Taylor, Della Daniels and Ester Mae Smith, two sisters and a childhood friend from Como, Mississippi.  It was in that small Southern town that these Como Mamas learned the old songs, their voices harmonizing and shouting through the warm air drifting through Mount Moriah Baptist Church. From Como to Brooklyn, they were discovered by Daptone Records, and after a powerful a cappella debut, they’re now backed by Daptone’s Glorifiers band for their second full length, Move Upstairs.  “Oh yeah!”, their voices call and respond. They are voices heavy like the blues, but triumphant and holy.  “Get ready! Get ready!” The Mamas are counting their blessings, one rocking, grooving gospel song at a time. They’re singing along to a bluesy organ, a righteous drum beat, a fiery electric guitar.  They’re shouting. They’re celebrating. They’re giving it their all. 99 and a half just won’t do.

Move Upstairs will be released on May 19 by Daptone Records. You can purchase the record here.

civilized creature

A burst of electronic pulses and dance floor jams give way to pop vocals, quiet ambient synth and wild noises. Swooping in and out come instrumental sounds, Radiohead-like breakdowns, 80s-style synth piano, sacred promises, mystery, fire, grace. “You are not alone”, sings Civilized Creature’s Ryan Lane on his recent release, Steadfast. “It’s gonna be alright. You’re gonna be okay”. Dance music. Gospel music. Call it what you want to call it. It’s a bass-thumping, breakdance-inducing joyful noise.

You can listen to, purchase or download the album here, or explore Ryan and Civilized Creature’s work with the Nehemiah Foundation for Cultural Renewal here.

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The apex of Heritage Hill’s debut EP, Out of the Sea, comes about halfway into the album, when the four Vancouver ladies channel Father Abraham himself, to vent what feels like every frustration, every discouragement, and every praise that’s ever come down the pike.  Harmonizing over gentle bluegrass and Americana melodies, the band switches from slow lament to foot stomping worship throughout the song. It’s a haunting tune, sitting within a beautiful debut—one that captures the many brutal sides of faith, and the glory that emerges somewhere over the rise.

You can purchase the album on itunes and Google Play, or stream it on Spotify.  You can also find more information about the band and their ministry here.

Hello dear readers. I’m taking a few short paragraphs out of my regularly scheduled music reviews and write-ups to point you toward a few of my own music projects. I recently released two very different albums that you can listen to or purchase at the links below.

The first is a 70s-style rock and roll project we call “Killbuck”. The album was mostly recorded live onto a Goodwill-purchased tape recorder, at the end of a gravel back road, in a cabin in Killbuck, Ohio.   Matt Kurtz, John Finley, John King, Joe Farr and I collaborated over a love of dark sunglasses, Tom Petty and 3-chord rock songs. The result is our self-titled debut: 11 “heartland-soaked tunes full of Americana angst and Rust Belt blues”.

The second project is a new volume of hymns my friends and I recorded over the past year. Each of us took a different hymn to reinterpret and explore through our individual styles. All profits from the Harp Family Hymnbook: Vol. II will go to Mennonite Central Committee.

You can find Killbuck here , and the Harp Family Hymnbook Vol. II here.